a5c7b9f00b Doc and the Amazing Five battle Captain Seas and "the green death" for control of a fabulous resource. Clark Savage Jr. aka Doc Savage was at his Fortress of Solitude when his empathic abilities sense something is wrong. So he returns to New York and is informed by his confidants, The Fabulous Five that his father, a missionary died somewhere in South America of a tropical disease. He is also told that his father sent him something before he died, and his associates locked it in his safe. He was about to open it when someone takes a shot at him but misses. Doc chases him down and he falls to his death. He appears to be some kind of native, quite possibly from South America. Someone blows up the safe destroying the papers his father sent him, and Doc's empathic ability goes off again, telling him that his father was murdered. Doc decides to go to the country where his father died to see if he can find out what happened. But after their plane takes off someone tries to shoot it down but Doc had the foresight to send a drone. When he gets there someone tries to kill him, in a peculiar manner. The problem is that the movie rode in on the coattails of the 60's-created concept that comic books could only be done as "camp" (i.e., the 60's Batman show) for TV and movie. Thus you have combat sequences with subtitles (come on!), a cluelessly unromantic Doc Savage (he was uncomfortable around women in the pulps, not an idiot), Monk Mayfair in a nightsheet (a scene guaranteed to give you nightmares for several nights), and the totally hokey ending with the secondary bad guy encased in gold like a Herve Villechez posing for an Oscar statute. And when they're not doing booming Sousa march scores, the tinkly little "funny" music undercuts much of the drama.<br/><br/>Even as such, this movie is…okay. It's fun, and when it stays serious it's a very accurate representation of the pulps. Except for Monk, as has been mentioned before: he's hugely muscled, not obese. And Long Tom, who is supposed to be a pale scrawny guy with an attitude, not Paul Gleason with an (inexplicable) scarf.<br/><br/>The Green Death sequences, for instance, are remarkably gruesome and not something I'd recommend for children. But they are very close to the feel of the pulps. When the writers and producers get it right, they do get it right - I'll give them that.<br/><br/>But if the producers had done Doc with the loving care and scripting of, say, Reeves' first two Superman movies, think what we might have had then. I think the problem is the movie's schizophrenic. There's a definite sense of trying to do a 30's homage, but they're also trying to give in to the "heroes must be camp" attitude that Batman created. One gets the impression there was a sober, pulp-style first draft and then someone came in and said, "Hey, let's make it funny - it worked with the Batman show 8 years ago!"<br/><br/>But Doc lives on, thanks to Earl MacRauch and Buckaroo Banzai. If MacRauch ain't doing a homage to Doc Savage in that movie, the man is truly demented. So when the series actually gets on TV (allegedly mid-season in '99-00), Doc Savage, updated to the 90's, will live once more. We so often talk of cinema landmarks - Kane, The Godfather, A Bout de Souffle. One film however is too often overlooked by "serious" film critics. I am talking of course about the classic Doc Savage (M.o.B.)<br/><br/>This film is not only exciting but also seriously explores the issue of exploitation of the developing nations by US imperialism. Not to mention kung-fu.<br/><br/>It also possessed the greatest soundtrack in film history (until of course Queen's breathtaking work on Flash Gordon). Although a bit of a rarity, this film is well worth seeking out - it will repay the effort of your search ten-fold.
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